Funny, It Doesn't Sound Jewish: How Yiddish Songs and Synagogue Melodies Influenced Tin Pan Alley, Broadway, and Hollywood (SUNY series in Modern Jewish Literature and Culture)

By Jack Gottlieb

In "Funny, It Doesn't Sound Jewish", Jack Gottlieb chronicles how Jewish songwriters and composers reworked the preferred track of mid-twentieth-century the US. even though many critics, historians, and musicians have alluded to the Jewish impact on American well known track, this can be the 1st ebook ever to aid such assertions with finished musical examples. Drawing on a number of historic and archival assets, in addition to his personal reports as a composer of synagogue, well known, and live performance track, Gottlieb conscientiously and compellingly files how a minority tradition infused a majority tradition, enriched it, and nonetheless retained its personal identification

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Extra resources for Funny, It Doesn't Sound Jewish: How Yiddish Songs and Synagogue Melodies Influenced Tin Pan Alley, Broadway, and Hollywood (SUNY series in Modern Jewish Literature and Culture)

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In these days of no air-conditioning, the road appeared like “kitchen clatter,” within the phrases of publisher-composer Harry Von Tilzer, who additionally laid declare to the identify: In 1899 i used to be sitting on the piano composing a tune, and that i desired to get a banjo impression. So I chop up a newspaper and glued it at the back of the keys subsequent to the strings. whereas i used to be operating the door to the outer place of work opened and in got here Monroe H. Rosenfelt [sic]. “What are you doing, Harry? ” Rosie known as in to me. “Working on a song. ” “What are the tin pans for? ” I confirmed him how I fastened up the newspaper. “That supplies me an idea,” Rosie stated. “I’m writing an editorial at the song enterprise and I’ve been taking a look round for a reputation for it. I’ll name it ‘Down in Tin Pan Alley’. ”74 Rosenfeld supposedly first positioned the identify into print in a 1900 long island bring in column of his. seventy five yet which column? the nearest i've been capable of hint are Sunday usher in items through him, “How renowned Songs Are Made So” (18 February 1900), yet no point out of Tin Pan Alley, and one on ‘coon’ songs and Von Tilzer (8 April 1900). seventy six or maybe it used to be written for an additional newspaper, the recent York Clipper, for which he used to be a columnist for greater than fifteen years? seventy seven the particular article has but to floor, if, certainly, it exists. 32 humorous, it doesn’t sound jewish one other concept has the coinage credited to brief tale author O. Henry, who handed it alongside to a lyric author, Stanley Murphy, who, in flip, was once a collaborator of Harry Von Tilzer, an early denizen of the Alley who used to be, as we've seen, often visited by way of Rosenfeld. one of the criteria of Von Tilzer, are “Wait ‘til the solar Shines, Nellie,” “A chicken in a Gilded Cage,” and “I desire a lady like the lady That Married expensive previous Dad. ” The final has been noted, via a Jewish psychologist, as “the dwelling out neurotically of an unresolved Oedipus complicated. ”78 Harry’s brother, Albert, ran the York tune Co. at No. forty, twenty eighth road. As composer, Albert was once most sensible identified for writing the classics: “I’ll Be with You in Apple Blossom Time,” “Put Your hands round Me, Honey” and the anthem of the nationwide hobby, “Take Me Out to the Ball online game. ” The Von Tilzer brothers, German Jews from Detroit, have been born with the surname Gumm (or Gumbinsky). seventy nine Harry used his mother’s maiden identify, including the noble “Von” to provide it cachet. He had initially shaped a publishing troika with Maurice Shapiro (1873-1911) and Louis Bernstein (1879-1962), a former bookkeeper, yet they got here to a parting of the methods whilst Harry manage his personal institution. In Kenneth Kanter’s The Jews on Tin Pan Alley, a e-book riddled with inaccuracies,80 different Jewish composer-publishers are profiled: (1) The 5 Witmark Brothers: Isidore (1869-1941), Julius (1870-1924), and Jay (1872-1950)—later joined by means of brothers Frank (b. 1876) and Adolph S. (b. 1878)—who in 1893 had organize store as M. Witmark & Sons on West twenty eighth highway; yet with their monstrous hit of 1903, “Sweet Adeline,” had moved uptown to thirty seventh highway. (2) Leopold Feist (1869-1930)—originally of Feist & Frankenthaler, based in 1897—who coined the slogan “You can’t get it wrong with a Feist music” whilst Feist went into company for himself.

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